I have a real soft spot for a Blonde 335. And even though several top end vintage Japanese 335s have passed through my hands, a blonde one has proved to be elusive. Well, that's about to change. I was lucky to find this one for auction in Japan for what ended up being a reasonable price. This is the ES-150R Rock version with uncovered Dimarzio PAF pickups. I'm not sure I'm going to like the uncovered pickup look, but I can easily cover them if necessary.
I'm going to steal some description from my good friend John, who is, IMO, one of the most knowledgeable collectors of vintage 335 copies. You can find his website an description of his blonde ES-150J here - https://www.guitarsofjapan.com/dtl/tokai-es-150-1981-4
"The ES-150 was Tokai’s top 335 model when they introduced their new ES line in 1981 and in my opinion is one of the best and most accurate copies of the original ES-335’s one can find, bar none.
In 1981 Tokai introduced a new ES line of semi hollow body models built to be as close to the original ES-335’s as they were able to. To accomplish this, Tokai closely studied original ES-335’s made from 1959 to 1964, characterizing their research as ‘exhaustive’. The result of this work was the introduction of two new models, the ES-100 and ES-150, each of which came in two versions, Rock and Jazz.
For the body Tokai followed the earliest models with three ply laminate top, body and sides. The top and back using maple in all three plies, and the sides maple and mahogany. The center block follows the originals using a solid maple block sandwiched between pieces of kerfed spruce which attach to the top and bottom, and running the full length of the guitar. The bridge and tail piece mount directly into the maple block to deliver sustain like a solid body. The pickup guard is a five ply long style, the same as would be found on a 1959 ES-335.
Following the originals, the neck is one piece mahogany, but with an Ebony fretboard, fret edge binding and mother of pearl dots located in the exact same locations as the originals. Per Tokai, the neck profile ‘remains absolutely faithful to the production cut on guitars made in ’59 and ‘60’.
The ES-150 was treated as one of the top models Tokai released and finished the guitar in Cashew Lacquer, the LS-200 being the only other model to receive this finish in 1981. Cashew Lacquer is made from cashew shells and is very close to traditional urushi lacquer. Putting an ES-150 side by side to an ES-100 which is finished in Nitrocellulose Lacquer, one can see the Cashew Lacquer is something really special as it gives off a beautiful amber glow. Cashew Lacquer is difficult to apply, so it is rarely used and typically only found on top models. It can still be found today on some very high end Japanese made acoustic guitars.
The 1981 ES-150 came in Rock and Jazz versions, the difference being the pickups installed. The Jazz version came with Tokai pickups and the rock version came with DiMarzio PAF pickups. These early ES models also came with orange drop style PIO caps and shielding foil on the underside of the top.
These guitars were made to be true to an original ’59 335 and built to the highest standards by Tokai. At forty years old it is one of the closest experiences you will find to an original ’59 335. The Tokai ES-150 are especially rare, with the ES models disappearing completely from the Tokai catalogs between 1985 and 1986."